Released: October 26, 2004
Daniel Ivan Hicks was born December 9, 1941 at St. Vincent’s Infirmary in Little Rock, Arkansas. He died peacefully, surrounded by his loved ones, at 12:45 AM, February 6, 2016, at his home in Mill Valley, California, following a two-year battle with throat and liver cancer.
Dan was the only child of midwesterners Ivan L. and Evelyn Kehl Hicks. Ivan was a career military man. The family moved to California when Dan was about five, eventually settling in what was then the small city of Santa Rosa, some 50 miles north of San Francisco. But before moving to northern California, the family lived for a time in the Los Angeles area, and it was there that young Dan was in the audience for various network radio broadcasts. This early exposure whetted his appetite for broadcasting and performing. Musically, Dan started out as a drummer, beginning while still in grade school. He played the snare drum in his school marching band, and by the age of 14 was playing gigs with area dance bands.
In High School, Dan had the opportunity to further develop his interest in broadcasting, and was in the Radio Guild at Montgomery High School in Santa Rosa. He had a rotating spot on a daily 15-minute local radio program called “Time Out for Teens”. Dan entered San Francisco State College in 1959, eventually earning a degree in Broadcasting. He took up playing the guitar around ’59, and became part of the San Francisco folk music scene, playing and singing in local coffeehouses starting in 1963.
In the spring of 1965, Dan became the drummer for a nascent San Francisco folk-rock group called The Charlatans, started by George Hunter. The group at that time was more of a concept than an actual working band. But they did rehearse, and found employment that summer as the house band at the newly-opened Red Dog Saloon in Virginia City, Nevada. The popular hallucinogen-fueled dances held at the Red Dog were the direct inspiration for the legendary psychedelic San Francisco dancehall scene that blossomed shortly thereafter.
In addition to drumming, Dan also played guitar and sang with The Charlatans, performing some of his original songs. The Charlatans played for several years at all the noted San Francisco halls, but never achieved the commercial success enjoyed by other groups that came on the scene after them, such as Jefferson Airplane, The Grateful Dead and Quicksilver Messenger Service. As Dan explained it, “The Charlatans were kind of dysfunctional anyway. There was no real management, and it was just kind of some loose guys”.
Dan had other ideas about the kind of music he wanted to make, and began putting together an acoustic combo which included two female backup singers, who were dubbed “Lickettes”. Billed as Dan Hicks And His Hot Licks, the group began as an opening act for The Charlatans, first appearing on stage in January of 1968 at the Avalon Ballroom in San Francisco, on a bill with Country Joe & the Fish and the Charlatans. Their efforts soon resulted in a recording contract with Epic Records. “Original Recordings” was released in 1969, but Epic’s production, and their promotion of the album and the group was lackluster, and it was not a commercial success. Only 4,600 copies were sold.
The Blue Thumb Years
After some personnel changes, and a deal with Tommy LiPuma’s Blue Thumb Records, what had then become the “classic” Hot Licks ensemble went on to produce the critically acclaimed and commercially successful albums “Where’s The Money?”, “Striking It Rich” and “Last Train To Hicksville”. But, owing to pressures both internal and external, Dan broke up the Hot Licks in 1973, at the height of the band’s popularity. Dan made the cover of Rolling Stone magazine in August of 1973, with the story “Enigmas On Thin Ice”, about the band’s break-up (excerpted from “ENIGMAS ON THIN ICE“).
“I just got tired of touring, of waitin’ in airports and goin’ to hotels, seein’ the same people all the time. It’d got to the point I was just goin’ through the motions onstage. The idea was in my head for a year, a year and a half.”
“I just got off the stage in Columbus one day feeling really drug and I said, ‘I don’t want to do this anymore.’ It’d become a big business trip; it wasn’t a fun music trip anymore. I wasn’t in love with it the way I used to be. So then everybody started runnin’ around acting like I meant the end of the group. That wasn’t my idea.”
“Can you comprehend a human mind, a state of mind, where everything bothers you? Yeah, there were pressures of touring and hassles in the band. But that ain’t it. It’s also, ah, the inner demons that possess me. Small, miniscule aliens from another planet.”
Repurposed Movie Soundtrack, “It Happened One Bite”
After the breakup of the Hot Licks, Dan began a low-key career of acoustic performances, sometimes working solo, billing himself as “Lonesome Dan Hicks”. He wrote music for commercials, television, and movies– including the music for a never-released Ralph Bakshi animated film. That music was eventually packaged and released in 1978 by Warner Bros. Records as “It Happened One Bite”, with cover artwork by Dan.
In the 1980s, Dan formed The Acoustic Warriors, a male combo with whom he toured. In 1994, Dan and the Acoustic Warriors recorded the superb (and now out-of-print) live CD “Shootin’ Straight”, for the Private Music label.
The Surfdog Years
Dan signed with Surfdog Records in 1998. “Beatin’ The Heat”, Dan’s first studio opus since 1978, was released in August of 2000. It featured a return to the Hot Licks name and format – complete with new Lickettes. It garnered rave reviews, and was chosen by Time.Com as one of the Top Ten CDs of 2000. A live CD (“Alive & Lickin’”) soon followed.
In September of 2003, Surfdog released a brilliant DVD/CD package featuring much of Dan’s 60th Birthday Bash concert, which was held at San Francisco’s Warfield Theater, as well as interviews with musicians of note speaking about Dan’s influence. Dan and the Hot Licks continued to tour worldwide with an updated version of the Hot Licks, traveling to Europe, the United Kingdom, Japan, Australia and New Zealand.
2004 saw the release of “Selected Shorts”, a dynamic and critically acclaimed studio CD, featuring contributions from such stars as Jimmy Buffett, Jim Keltner, Gibby Haynes, Van Dyke Parks and Willie Nelson. “Tangled Tales”, also on the Surfdog label, was released in 2009 to glowing reviews.
2010 saw the long-anticipated release of a Dan Hicks & The Hot Licks Christmas CD, and it was all Hicks fans had hoped for — and more! “Crazy For Christmas” was lauded by NPR’s Fresh Air, the NY and LA Times, and The Washington Post. Called one of the Best of 2010 by the Village Voice, “Crazy For Christmas” also landed on Billboard’s Heatseekers Chart.
In 2011, an all-star revue assembled at San Francsico’s Davies Hall to celebrate Dan’s 70th birthday. The CD “Live at Davies” (2013) captures the best of the night. It includes several of Dan’s biggest hits as well as some never before released live! Special guests include Rickie Lee Jones, Harry Shearer, Van Dyke Parks, David Grisman, Tuck and Patti, John Hammond, Ramblin’ Jack Elliott, Ray Benson, and many others.
Dan also occasionally booked and played gigs at various small venues in the San Francisco Bay Area, as a vocalist with his swingin’ combo Bayside Jazz. Those intimate, low-key jazz gigs were the favorites of many Bay Area Hicks fans, and Dan also expressed his fondness for them. Dan was a “jazz guy” at heart, and loved doing the great standards — with his special twist.
- Mama’s Boy Blues
- That’s Where I Am
- Hey Bartender
- One More Cowboy
- Barstool Boogie
- C’mon-A-My House
- First I Lost My Marbles
- That Ain’t Right
- Cue The Violins
- I’ll See You In My Dreams
- Texas Kinda attitude
- That’s The Smoke They’re Blowin’
- That Ain’t Right (Gibby Phones it in Mix)